Once you have opened the first one, click on the Target button so it's no longer lit red.
#Mio console headphone feeds windows#
Send windows have a Target button just like plug‑in windows, so it's possible to get more than one open simultaneously. However, this can be a little slow, and there are two possible ways of working that make this process quicker. When a performer asks for "a little more keys”, or "a little less drums”, you can click on the appropriate assignment so that the Send window pops up, make the adjustment, close the send window, and move on. Sends used for monitor mixing would typically be set to pre‑fader mode. It's critical that you enable Solo Safe on any monitor mix's aux input tracks: otherwise, when you solo a track on the main mix, it will mute the aux input track that you've got configured as a monitor mix master volume track, and then the performers won't hear anything! To solo‑safe a track, Ctrl‑click (Windows) or Command‑click (Mac) on the relevant solo button(s).
Once you enable this feature, you will see that the pan controls in the floating Send window become greyed out. This is the normal mode for monitor mixes.įMP is short for Follow Main Pan, and enables you to link the pan controls so that the aux send mirrors the pan settings from the main channel pan controls. This allows you to create a mix using the main faders, safe in the knowledge that it won't affect the monitor mixes. When this button is lit, the aux is fed before (pre) the channel fader. Not all of these are relevant to creating monitor mixes: perhaps the most important is Pre, the conventional pre/post switch that most mixers have on aux sends. From the top you have the relevant routing and assignment info, followed by five little buttons. You can place this window anywhere on your screen. If you click on an assigned send (such as 'Studio cans' in the first screen), a floating Send window will open. Doing this will mean that when you start selecting buses to send to, they will appear in the menus with sensible names. Similarly, to rename an output, select the Output tab and double‑click on the output name. To rename a bus, select the Bus tab and then double‑click on the bus name in the name column. For the outputs and buses, you need to use the I/O option in the Setup menu. You can rename a track by double‑clicking on the track name in the Edit or Mix window and giving it a sensible name. Note the importance of naming buses and outputs!It's well worth naming everything, including aux tracks, buses and outputs. Routing sends to buses rather than directly to outputs permits much more flexibility in setting up monitor mixes.
#Mio console headphone feeds pro#
I set the input of this track to be the bus and send its output to an output of my Pro Tools interface, which feeds my headphone amps. You could choose an output as a destination, but I always select a bus: this means I can also create an Auxiliary Input track to act as a master volume for that particular monitor mix. To create a send, click on an unassigned area in the chosen send row, and you can then choose where it is routed to. To see these, enable them from the Mix Window Views in the View menu. They are grouped together into two sets of five: Sends A to E and Sends F to J. Pro Tools now offers up to 10 different sends per channel, which you can configure in whatever way suits your needs.
The Pro Tools mixer is no different in this respect - except that, being a software mixer, there is somewhat more flexibility than a lot of hardware mixers provide. Most mixing consoles provide a number of auxiliary sends from each channel, which can be used to set up both monitor mixes and effects sends.
This will typically involve setting up one or more 'monitor mixes' to let the musicians hear what they need. Here I'm setting up two monitor mixes, one for the performers and one for the conductor.Ī vital part of any recording session is ensuring that the musicians can hear themselves, and each other, along with any pre‑recorded tracks they're playing along to. Like any hardware mixer, Pro Tools' Mixer can be used to give the musicians on your session exactly what they want.Īs on any mixer, monitor mixes are set up in Pro Tools using auxiliary sends.
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